美国文学简史完全笔记 Chapter 8

　　I. Overview¹

　　Negro 每 coloured （legally free） 每 black （after civil rights movement）

　　1.oral tradition

　　（1）songs and ballads²

　　（2）spirituals: sorrow of the singers＊ earlier condition and longing³ for freedom

　　（3）blues⁴: after civil war, derived⁵ from work songs 每 loneliness, separation, losses, wonderings, love, desperation, sense of doom⁶

　　（4）jazz: after WWI, developed from blues, died out in the Great Depression

　　2.written literature （from 1760s）

　　（1）poetry: religious, enduring, patient to the white

　　（2）slave narrative⁷: autobiographical experience of the person

　　（3）1920s: Harlem Renaissance⁸ 每 New York, black 每 black dialect and black folklore⁹ 每 ※the new negro§ 每 representatives: Langston Hughes （※black poet laureate§）, Huston, Claude McKay

　　（4）1940s: Richard Wright, Ralph Ellison

　　（5）50s~60s: a lot of black writers emerged in the civil rights movement: James Baldwin, Brooks¹⁰, Jones

　　（6）70s~80s: publishing of ※Root§ （Alex Haley）, Walker 每 ※The Colour Purple§, Morrison （the second woman writer and the only black who won Nobel Prize）

　　II. Richard Wright

　　1.life

　　2.works

　　（1）Uncle Tom＊s Children: Four Novellas

　　（2）Native Son

　　（3）Black Boy

　　（4）The Outsider （the first novel of existentialism in America, published in France）

　　3.themes and subjects

　　His common theme is to condemn¹¹ racism¹², urge reform, criticize evils of society. His books focus on racial conflict and physical violence. They review the devastating¹³ effect of institutionalized hatred¹⁴ （hatred brought by social system） and humiliation¹⁵ on black males＊ psyche¹⁶. They affirmed dignity and humility¹⁷ of society＊s outcasts.

　　4.writing techniques 每 realism, naturalism

　　He tries to show that people cannot escape from society. Therefore, society must be changed. He is a father figure, especially to the writers of violence.

　　III.    Ralph Ellison

　　1.life

　　2.works: Invisible Man

　　significance: It has a universality of theme （problems of all modern people）, not only regional dilemma¹⁸ of existence.

　　3.attitude: complexity¹⁹ of art 每 the best art makes good politics, not vice²⁰ versa.

　　IV.     James Baldwin

　　1.life

　　2.works

　　（1）Go Tell It on the Mountain

　　（2）Notes of a Native Son

　　（3）Nobody Knows My Name

　　（4）The Fire Next Time

　　3.point of view

　　Baldwin calls for the blacks to resort to means including force so as to bring about the nation＊s self-realization. He saw love and understanding as difficult but necessary way to overcome racial conflict.

　　4.themes: race, homosexuality

　　V.  Alice Walker

　　1.life

　　2.works

　　（1）Once （a collection of poems）

　　（2）In Search of Our Mothers＊ Gardens （※womanism§ instead of feminism）

　　（3）The Colour Purple （epistolary）

　　VI.     Toni Morrison

　　1.life

　　2.works

　　（1）The Bluest Eye

　　（2）Sula

　　（3）Song of Solomon （the best black novel after Native Son and Invisible Man）

　　（4）Tar Baby

　　（5）Beloved

　　（6）Jazz

　　（7）Love （trilogy）

　　3.themes: love, guilt²¹, history, individual, gender²², race, religion

　　4.purpose: to empower the black people to act for themselves, to recognize for their own world, own history, own reality

　　5.style 每 many kinds of factors: naturalism, realism, fantasy, reality, magical realism