谋杀启事43

Seventeen

THE ALBUM

Standing¹ by the Vicarage gate, well wrapped up, Miss Marple took the notefrom Bunch’s hand.

“Tell Miss Blacklock,” said Bunch, “that Julian is terribly sorry he can’tcome up himself. He’s got a parishioner dying out at Locke Hamlet. He’llcome up after lunch if Miss Blacklock would like to see him. The note’sabout the arrangements for the funeral. He suggests Wednesday if the in-quest’s on Tuesday. Poor old Bunny. It’s so typical of her, somehow, to gethold of poisoned aspirin² meant for someone else. Goodbye, darling. I hopethe walk won’t be too much for you. But I’ve simply got to get that child tohospital at once.”

Miss Marple said the walk wouldn’t be too much for her, and Bunchrushed off.

Whilst waiting for Miss Blacklock, Miss Marple looked round the draw-ing room, and wondered just exactly what Dora Bunner had meant thatmorning in the Bluebird by saying that she believed Patrick had“tampered with the lamp” to “make the lights go out.” What lamp? Andhow had he “tampered” with it?

She must, Miss Marple decided³, have meant the small lamp that stoodon the table by the archway. She had said something about a shepherdessor a shepherd—and this was actually a delicate piece of Dresden china, ashepherd in a blue coat and pink breeches holding what had originallybeen a candlestick and had now been adapted to electricity. The shadewas of plain vellum and a little too big so that it almost masked the figure.

What else was it that Dora Bunner had said? “I remember distinctly that itwas the shepherdess. And the next day—” Certainly it was a shepherdnow.

Miss Marple remembered that when she and Bunch had come to tea,Dora Bunner had said something about the lamp being one of a pair. Ofcourse—a shepherd and a shepherdess. And it had been the shepherdesson the day of the hold-up—and the next morning it had been the otherlamp—the lamp that was here now, the shepherd. The lamps had beenchanged over during the night. And Dora Bunner had had reason to be-lieve (or had believed without reason) that it was Patrick who hadchanged them.

Why? Because, if the original lamp were examined, it would show justhow Patrick had managed to “make the lights go out.” How had he man-aged? Miss Marple looked earnestly at the lamp in front of her. The flexran along the table over the edge and was plugged into the wall. Therewas a small pear-shaped switch halfway⁵ along the flex⁴. None of it sugges-ted anything to Miss Marple because she knew very little about electricity.

Where was the shepherdess lamp? she wondered. In the “spare room’

or thrown away, or—where was it Dora Bunner had come upon PatrickSimmons with a feather and an oily cup? In the shrubbery? Miss Marplemade up her mind to put all these points to Inspector⁶ Craddock.

At the very beginning Miss Blacklock had leaped to the conclusion thather nephew Patrick had been behind the insertion of that advertisement.

That kind of instinctive⁷ belief was often justified⁸, or so Miss Marple be-lieved. Because, if you knew people fairly well, you knew the kind ofthings they thought of….

Patrick Simmons….

A handsome young man. An engaging young man. A young man whomwomen liked, both young women and old women. The kind of man, per-haps, that Randall Goedler’s sister had married. Could Patrick Simmons be“Pip’? But he’d been in the Navy during the war. The police could sooncheck up on that.

Only—sometimes—the most amazing impersonations did happen.

You could get away with a great deal if you had enough audacity….

The door opened and Miss Blacklock came in. She looked, Miss Marplethought, many years older. All the life and energy had gone out of her.

“I’m very sorry, disturbing you like this,” said Miss Marple. “But theVicar had a dying parishioner and Bunch had to rush a sick child to hos-pital. The Vicar wrote you a note.”

She held it out and Miss Blacklock took it and opened it.

“Do sit down, Miss Marple,” she said. “It’s very kind of you to havebrought this.”

She read the note through.

“The Vicar’s a very understanding man,” she said quietly. “He doesn’t of-fer one fatuous⁹ consolation¹⁰ … Tell him that these arrangements will dovery well. Her—her favourite hymn¹¹ was Lead Kindly¹² Light.”

Her voice broke suddenly.

Miss Marple said gently:

“I am only a stranger, but I am so very very sorry.”

And suddenly, uncontrollably, Letitia Blacklock wept. It was a piteousovermastering grief, with a kind of hopelessness about it. Miss Marple satquite still.

Miss Blacklock sat up at last. Her face was swollen¹³ and blotched withtears.

“I’m sorry,” she said. “It—it just came over me. What I’ve lost. She—shewas the only link with the past, you see. The only one who — who re-membered. Now that she’s gone I’m quite alone.”

“I know what you mean,” said Miss Marple. “One is alone when the lastone who remembers is gone. I have nephews and nieces and kind friends—but there’s no one who knew me as a young girl—no one who belongs tothe old days. I’ve been alone for quite a long time now.”

Both women sat silent for some moments.

“You understand very well,” said Letitia Blacklock. She rose and wentover to her desk. “I must write a few words to the Vicar.” She held the penrather awkwardly and wrote slowly.

“Arthritic,” she explained. “Sometimes I can hardly write at all.”

She sealed up the envelope and addressed it.

“If you wouldn’t mind taking it, it would be very kind.”

Hearing a man’s voice in the hall she said quickly:

“That’s Inspector Craddock.”

She went to the mirror over the fireplace and applied¹⁴ a small powderpuff to her face.

Craddock came in with a grim, angry face.

He looked at Miss Marple with disapprobation.

“Oh,” he said. “So you’re here.”

Miss Blacklock turned from the mantelpiece.

“Miss Marple kindly came up with a note from the Vicar.”

Miss Marple said in a flurried manner:

“I am going at once—at once. Please don’t let me hamper¹⁵ you in anyway.”

“Were you at the tea party here yesterday afternoon?”

Miss Marple said, nervously¹⁶:

“No—no, I wasn’t. Bunch drove me over to call on some friends.”

“Then there’s nothing you can tell me.” Craddock held the door open ina pointed¹⁷ manner, and Miss Marple scuttled¹⁸ out in a somewhat abashedfashion.

“Nosey Parkers, these old women,” said Craddock.

“I think you’re being unfair to her,” said Miss Blacklock. “She really didcome with a note from the Vicar.”

“I bet she did.”

“I don’t think it was idle curiosity.”

“Well, perhaps you’re right, Miss Blacklock, but my own diagnosiswould be a severe attack of Nosey Parkeritis….”

“She’s a very harmless old creature,” said Miss Blacklock.

“Dangerous as a rattlesnake if you only knew,” the Inspector thoughtgrimly. But he had no intention of taking anyone into his confidence unne-cessarily. Now that he knew definitely there was a killer¹⁹ at large, he feltthat the less said the better. He didn’t want the next person bumped off tobe Jane Marple.

Somewhere—a killer … Where?

“I won’t waste time offering sympathy, Miss Blacklock,” he said. “As amatter of fact I feel pretty bad about Miss Bunner’s death. We ought tohave been able to prevent it.”

“I don’t see what you could have done.”

“No—well, it wouldn’t have been easy. But now we’ve got to work fast.

Who’s doing this, Miss Blacklock? Who’s had two shots at killing²⁰ you, andwill probably, if we don’t work fast enough, soon have another?”

Letitia Blacklock shivered. “I don’t know, Inspector—I don’t know atall!”

“I’ve checked up with Mrs. Goedler. She’s given me all the help she can.

It wasn’t very much. There are just a few people who would definitelyprofit by your death. First Pip and Emma. Patrick and Julia Simmons arethe right age, but their background seems clear enough. Anyway, we can’tconcentrate on these two alone. Tell me, Miss Blacklock, would you recog-nize Sonia Goedler if you saw her?”

“Recognize Sonia? Why, of course—” She stopped suddenly. “No,” shesaid slowly, “I don’t know that I would. It’s a long time. Thirty years …She’d be an elderly woman now.”

“What was she like when you remember her?”

“Sonia?” Miss Blacklock considered for some moments. “She was rathersmall, dark….”

“Any special peculiarities²¹? Mannerisms?”

“No—no, I don’t think so. She was gay—very gay.”

“She mayn’t be so gay now,” said the Inspector. “Have you got a photo-graph of her?”

“Of Sonia? Let me see—not a proper photograph. I’ve got some old snap-shots—in an album somewhere—at least I think there’s one of her.”

“Ah. Can I have a look at it?”

“Yes, of course. Now where did I put that album?”

“Tell me, Miss Blacklock, do you consider it remotely possible that Mrs.

Swettenham might be Sonia Goedler?”

“Mrs. Swettenham?” Miss Blacklock looked at him in lively atonishment.

“But her husband was in the Government Service—in India first, I think,and then in Hong Kong.”

“What you mean is, that that’s the story she’s told you. You don’t, as wesay in the Courts, know it of your own knowledge, do you?”

“No,” said Miss Blacklock slowly. “When you put it like that, I don’t …But Mrs. Swettenham? Oh, it’s absurd!”

“Did Sonia Goedler ever do any acting²²? Amateur theatricals²³?”

“Oh, yes. She was good.”

“There you are! Another thing, Mrs. Swettenham wears a wig²⁴. At least,”

the Inspector corrected himself, “Mrs. Harmon says she does.”

“Yes—yes, I suppose it might be a wig. All those little grey curls. But Istill think it’s absurd. She’s really very nice and exceedingly funny some-times.”

“Then there’s Miss Hinchcliffe and Miss Murgatroyd. Could either ofthem be Sonia Goedler?”

“Miss Hinchcliffe is too tall. She’s as tall as a man.”

“Miss Murgatroyd then?”

“Oh, but—oh no, I’m sure Miss Murgatroyd couldn’t be Sonia.”

“You don’t see very well, do you, Miss Blacklock?”

“I’m shortsighted; is that what you mean?”

“Yes. What I’d like to see is a snapshot of this Sonia Goedler, even if it’s along time ago and not a good likeness²⁵. We’re trained, you know, to pickout resemblances, in a way no amateur can ever do.”

“I’ll try and find it for you.”

“Now?”

“What, at once?”

“I’d prefer it.”

“Very well. Now, let me see. I saw that album when we were tidying alot of books out of the cupboard. Julia was helping²⁶ me. She laughed, I re-member, at the clothes we used to wear in those days … The books we putin the shelf in the drawing room. Where did we put the albums and thebig bound volumes of the Art Journal? What a wretched memory I have!

Perhaps Julia will remember. She’s at home today.”

“I’ll find her.”

The Inspector departed on his quest. He did not find Julia in any of thedownstairs rooms. Mitzi, asked where Miss Simmons was, said crossly thatit was not her affair.

“Me! I stay in my kitchen and concern myself with the lunch. And noth-ing do I eat that I have not cooked myself. Nothing, do you hear?”

The Inspector called up the stairs “Miss Simmons,” and getting no re-sponse, went up.

He met Julia face to face just as he turned the corner of the landing. Shehad just emerged from a door that showed behind it a small twisty stair-case.

“I was up in the attic,” she explained. “What is it?”

Inspector Craddock explained.

“Those old photograph albums? Yes, I remember them quite well. Weput them in the big cupboard in the study, I think. I’ll find them for you.”

She led the way downstairs and pushed open the study door. Near thewindow there was a large cupboard. Julia pulled it open and disclosed aheterogenous mass of objects.

“Junk,” said Julia. “All junk. But elderly people simply will not throwthings away.”

The Inspector knelt down and took a couple of old-fashioned albumsfrom the bottom shelf.

“Are these they?”

“Yes.”

Miss Blacklock came in and joined them.

“Oh, so that’s where we put them. I couldn’t remember.”

Craddock had the books on the table and was turning the pages.

Women in large cartwheel hats, women with dresses tapering²⁷ down totheir feet so that they could hardly walk. The photos had captions²⁸ neatlyprinted underneath²⁹ them, but the ink was old and faded.

“It would be in this one,” said Miss Blacklock. “On about the second orthird page. The other book is after Sonia had married and gone away.” Sheturned a page. “It ought to be here.” She stopped.

There were several empty spaces on the page. Craddock bent³⁰ down anddeciphered the faded writing. “Sonia … Self … R.G.” A little further along,“Sonia and Belle³¹ on beach.” And again on the opposite page, “Picnic atSkeyne.” He turned over another page, “Charlotte, Self, Sonia, R.G.”

Craddock stood up. His lips were grim.

“Somebody has removed these photographs—not long ago, I should say.”

“There weren’t any blank spaces when we looked at them the other day.

Were there, Julia?”

“I didn’t look very closely—only at some of the dresses. But no … you’reright, Aunt Letty, there weren’t any blank spaces.”

Craddock looked grimmer still.

“Somebody,” he said, “has removed every photo of Sonia Goedler fromthis album.”

 

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