Of Human Bondage 人性的枷锁 Chapter 38

At the end of the year there was a great deal to do. Philip went to various places with a clerk named Thompson and spent the day monotonously¹ calling out items of expenditure², which the other checked; and sometimes he was given long pages of figures to add up. He had never had a head for figures, and he could only do this slowly. Thompson grew irritated at his mistakes. His fellow-clerk was a long, lean man of forty, sallow, with black hair and a ragged³ moustache; he had hollow cheeks and deep lines on each side of his nose. He took a dislike to Philip because he was an articled clerk. Because he could put down three hundred guineas and keep himself for five years Philip had the chance of a career; while he, with his experience and ability, had no possibility of ever being more than a clerk at thirty-five shillings a week. He was a cross-grained man, oppressed by a large family, and he resented the superciliousness⁴ which he fancied he saw in Philip. He sneered⁵ at Philip because he was better educated than himself, and he mocked at Philip's pronunciation; he could not forgive him because he spoke⁶ without a cockney accent, and when he talked to him sarcastically⁷ exaggerated his aitches. At first his manner was merely gruff and repellent, but as he discovered that Philip had no gift for accountancy he took pleasure in humiliating him; his attacks were gross and silly, but they wounded Philip, and in self-defence he assumed an attitude of superiority which he did not feel.

 

'Had a bath this morning?' Thompson said when Philip came to the office late, for his early punctuality had not lasted.

 

'Yes, haven't you?'

 

'No, I'm not a gentleman, I'm only a clerk. I have a bath on Saturday night.'

 

'I suppose that's why you're more than usually disagreeable on Monday.'

 

'Will you condescend⁸ to do a few sums in simple addition today? I'm afraid it's asking a great deal from a gentleman who knows Latin and Greek.'

 

'Your attempts at sarcasm⁹ are not very happy.'

 

But Philip could not conceal¹⁰ from himself that the other clerks, ill-paid and uncouth¹¹, were more useful than himself. Once or twice Mr. Goodworthy grew impatient with him.

 

'You really ought to be able to do better than this by now,' he said. 'You're not even as smart as the office-boy.'

 

Philip listened sulkily. He did not like being blamed, and it humiliated¹² him, when, having been given accounts to make fair copies of, Mr. Goodworthy was not satisfied and gave them to another clerk to do. At first the work had been tolerable from its novelty, but now it grew irksome; and when he discovered that he had no aptitude¹³ for it, he began to hate it. Often, when he should have been doing something that was given him, he wasted his time drawing little pictures on the office note-paper. He made sketches¹⁴ of Watson in every conceivable attitude, and Watson was impressed by his talent. It occurred to him to take the drawings home, and he came back next day with the praises of his family.

 

'I wonder you didn't become a painter,' he said. 'Only of course there's no money in it.'

 

It chanced that Mr. Carter two or three days later was dining with the Watsons, and the sketches were shown him. The following morning he sent for Philip. Philip saw him seldom and stood in some awe¹⁵ of him.

 

'Look here, young fellow, I don't care what you do out of office-hours, but I've seen those sketches of yours and they're on office-paper, and Mr. Goodworthy tells me you're slack. You won't do any good as a chartered accountant unless you look alive. It's a fine profession, and we're getting a very good class of men in it, but it's a profession in which you have to...' he looked for the termination of his phrase, but could not find exactly what he wanted, so finished rather tamely, 'in which you have to look alive.'

 

Perhaps Philip would have settled down but for the agreement that if he did not like the work he could leave after a year, and get back half the money paid for his articles. He felt that he was fit for something better than to add up accounts, and it was humiliating that he did so ill something which seemed contemptible¹⁶. The vulgar scenes with Thompson got on his nerves. In March Watson ended his year at the office and Philip, though he did not care for him, saw him go with regret. The fact that the other clerks disliked them equally, because they belonged to a class a little higher than their own, was a bond of union. When Philip thought that he must spend over four years more with that dreary¹⁷ set of fellows his heart sank. He had expected wonderful things from London and it had given him nothing. He hated it now. He did not know a soul, and he had no idea how he was to get to know anyone. He was tired of going everywhere by himself. He began to feel that he could not stand much more of such a life. He would lie in bed at night and think of the joy of never seeing again that dingy¹⁸ office or any of the men in it, and of getting away from those drab lodgings¹⁹.

 

A great disappointment befell him in the spring. Hayward had announced his intention of coming to London for the season, and Philip had looked forward very much to seeing him again. He had read so much lately and thought so much that his mind was full of ideas which he wanted to discuss, and he knew nobody who was willing to interest himself in abstract things. He was quite excited at the thought of talking his fill with someone, and he was wretched when Hayward wrote to say that the spring was lovelier than ever he had known it in Italy, and he could not bear to tear himself away. He went on to ask why Philip did not come. What was the use of squandering²⁰ the days of his youth in an office when the world was beautiful? The letter proceeded.

 

I wonder you can bear it. I think of Fleet Street and Lincoln's Inn now with a shudder²¹ of disgust. There are only two things in the world that make life worth living, love and art. I cannot imagine you sitting in an office over a ledger²², and do you wear a tall hat and an umbrella and a little black bag? My feeling is that one should look upon life as an adventure, one should burn with the hard, gem-like flame, and one should take risks, one should expose oneself to danger. Why do you not go to Paris and study art? I always thought you had talent.

 

The suggestion fell in with the possibility that Philip for some time had been vaguely²³ turning over in his mind. It startled him at first, but he could not help thinking of it, and in the constant rumination²⁴ over it he found his only escape from the wretchedness of his present state. They all thought he had talent; at Heidelberg they had admired his water colours, Miss Wilkinson had told him over and over again that they were chasing; even strangers like the Watsons had been struck by his sketches. La Vie de Boheme had made a deep impression on him. He had brought it to London and when he was most depressed²⁵ he had only to read a few pages to be transported into those chasing attics²⁶ where Rodolphe and the rest of them danced and loved and sang. He began to think of Paris as before he had thought of London, but he had no fear of a second disillusion²⁷; he yearned²⁸ for romance and beauty and love, and Paris seemed to offer them all. He had a passion for pictures, and why should he not be able to paint as well as anybody else? He wrote to Miss Wilkinson and asked her how much she thought he could live on in Paris. She told him that he could manage easily on eighty pounds a year, and she enthusiastically approved of his project. She told him he was too good to be wasted in an office. Who would be a clerk when he might be a great artist, she asked dramatically, and she besought²⁹ Philip to believe in himself: that was the great thing. But Philip had a cautious nature. It was all very well for Hayward to talk of taking risks, he had three hundred a year in gilt-edged securities; Philip's entire fortune amounted to no more than eighteen-hundred pounds. He hesitated.

 

Then it chanced that one day Mr. Goodworthy asked him suddenly if he would like to go to Paris. The firm did the accounts for a hotel in the Faubourg St. Honore, which was owned by an English company, and twice a year Mr. Goodworthy and a clerk went over. The clerk who generally went happened to be ill, and a press of work prevented any of the others from getting away. Mr. Goodworthy thought of Philip because he could best be spared, and his articles gave him some claim upon a job which was one of the pleasures of the business. Philip was delighted.

 

'You'll 'ave to work all day,' said Mr. Goodworthy, 'but we get our evenings to ourselves, and Paris is Paris.' He smiled in a knowing way. 'They do us very well at the hotel, and they give us all our meals, so it don't cost one anything. That's the way I like going to Paris, at other people's expense.'

 

When they arrived at Calais and Philip saw the crowd of gesticulating porters his heart leaped.

 

'This is the real thing,' he said to himself.

 

He was all eyes as the train sped through the country; he adored the sand dunes³⁰, their colour seemed to him more lovely than anything he had ever seen; and he was enchanted³¹ with the canals and the long lines of poplars. When they got out of the Gare du Nord, and trundled along the cobbled streets in a ramshackle, noisy cab, it seemed to him that he was breathing a new air so intoxicating³² that he could hardly restrain himself from shouting aloud. They were met at the door of the hotel by the manager, a stout³³, pleasant man, who spoke tolerable English; Mr. Goodworthy was an old friend and he greeted them effusively³⁴; they dined in his private room with his wife, and to Philip it seemed that he had never eaten anything so delicious as the beefsteak aux pommes, nor drunk such nectar as the vin ordinaire, which were set before them.

 

To Mr. Goodworthy, a respectable householder with excellent principles, the capital of France was a paradise of the joyously³⁵ obscene. He asked the manager next morning what there was to be seen that was 'thick.' He thoroughly³⁶ enjoyed these visits of his to Paris; he said they kept you from growing rusty³⁷. In the evenings, after their work was over and they had dined, he took Philip to the Moulin Rouge³⁸ and the Folies Bergeres. His little eyes twinkled and his face wore a sly, sensual smile as he sought out the pornographic. He went into all the haunts which were specially³⁹ arranged for the foreigner, and afterwards said that a nation could come to no good which permitted that sort of thing. He nudged Philip when at some revue a woman appeared with practically nothing on, and pointed⁴⁰ out to him the most strapping⁴¹ of the courtesans who walked about the hall. It was a vulgar Paris that he showed Philip, but Philip saw it with eyes blinded with illusion. In the early morning he would rush out of the hotel and go to the Champs Elysees, and stand at the Place de la Concorde. It was June, and Paris was silvery with the delicacy⁴² of the air. Philip felt his heart go out to the people. Here he thought at last was romance.

 

They spent the inside of a week there, leaving on Sunday, and when Philip late at night reached his dingy rooms in Barnes his mind was made up; he would surrender his articles, and go to Paris to study art; but so that no one should think him unreasonable⁴³ he determined⁴⁴ to stay at the office till his year was up. He was to have his holiday during the last fortnight in August, and when he went away he would tell Herbert Carter that he had no intention of returning. But though Philip could force himself to go to the office every day he could not even pretend to show any interest in the work. His mind was occupied with the future. After the middle of July there was nothing much to do and he escaped a good deal by pretending he had to go to lectures for his first examination. The time he got in this way he spent in the National Gallery. He read books about Paris and books about painting. He was steeped in Ruskin. He read many of Vasari's lives of the painters. He liked that story of Correggio, and he fancied himself standing⁴⁵ before some great masterpiece and crying: Anch' io son' pittore. His hesitation⁴⁶ had left him now, and he was convinced that he had in him the makings of a great painter.

 

'After all, I can only try,' he said to himself. 'The great thing in life is to take risks.'

 

At last came the middle of August. Mr. Carter was spending the month in Scotland, and the managing clerk was in charge of the office. Mr. Goodworthy had seemed pleasantly disposed to Philip since their trip to Paris, and now that Philip knew he was so soon to be free, he could look upon the funny little man with tolerance⁴⁷.

 

'You're going for your holiday tomorrow, Carey?' he said to him in the evening.

 

All day Philip had been telling himself that this was the last time he would ever sit in that hateful office.

 

'Yes, this is the end of my year.'

 

'I'm afraid you've not done very well. Mr. Carter's very dissatisfied with you.'

 

'Not nearly so dissatisfied as I am with Mr. Carter,' returned Philip cheerfully.

 

'I don't think you should speak like that, Carey.'

 

'I'm not coming back. I made the arrangement that if I didn't like accountancy Mr. Carter would return me half the money I paid for my articles and I could chuck it at the end of a year.'

 

'You shouldn't come to such a decision hastily.'

 

'For ten months I've loathed⁴⁸ it all, I've loathed the work, I've loathed the office, I loathe⁴⁹ Loudon. I'd rather sweep a crossing than spend my days here.'

 

'Well, I must say, I don't think you're very fitted for accountancy.’

 

'Good-bye,' said Philip, holding out his hand. 'I want to thank you for your kindness to me. I'm sorry if I've been troublesome. I knew almost from the beginning I was no good.'

 

'Well, if you really do make up your mind it is good-bye. I don't know what you're going to do, but if you're in the neighbourhood at any time come in and see us.'

 

Philip gave a little laugh.

 

'I'm afraid it sounds very rude, but I hope from the bottom of my heart that I shall never set eyes on any of you again.'

分享到：